Friday, July 22, 2016
Another poem of mine, "Show Time," debuted today on Bookends Review.
And my story "The Secret Carer" has just been published in the UK journal Riptide's latest collection, Volume 11: Carpe Diem.
After years of diminishing content and quality, the Village Voice is beginning to look more like the former self that many of us relied upon for in-depth investigative reporting, local political news, and cultural coverage. The Voice used to be one of the few places that regularly reviewed off-off Broadway theater and dance--now there's hope that it may be again, with former staffers Elizabeth Zimmer as lead dance critic and Michael Feingold once again heading the theater department.
The July 6 issue featured a gripping and disturbing investigation by Nick Pinto into the new LinkNYC network--a must-read that you can still find on the Voice's website.
The Village Voice still comes out every Wednesday. If you miss it in the kiosks, you can find it online:
Monday, July 4, 2016
Today, July 4th, one of my earlier poems, "Shelter," was published in an online journal:
Their format is to post a new poem each day (typically at an appropriate time) but if you don't actually get to it the day it's posted, you can find it later by the contributor's name.
Thursday, May 12, 2016
For those of you who don't follow it already, Defenestration is a lively online humor magazine. Check out their April issue--and in particular my short piece "Pitch Meeting: Election 2020: Running Mates":
Defenestration: April 2016 - Defenestration
Friday, April 22, 2016
You can find three of my poems--"Giving Up," "Flypaper," and "The Secret of her Pickles" in the latest issue of Badlands Literary Review--a literary magazine published by California State University San Bernardino Palm Desert's writing program.
and click on Issue 6, for a downloadable pdf
Well, Peter and Lou Berryman are famous among folkies who've heard "A Chat With Your Mom"--better known as "The F Word Song."
But that's not enough of us to fill halls that hold thousands.
Lucky for us--and maybe for them. We get to hear them in intimate venues--coffee houses, church halls, etc. They get to see their fans up close, meet them, chat with them, stay with them.
Last weekend in Princeton, perhaps a hundred of us got to hear them do an assortment of their terrific songs, old and new, including "Cheese and Beer and Snow," "Artiste Interrupted," "Your State's Name here," "Djver?" "You Gotta Do More," "When Did We Have Sauerkraut?" "Dupsha Dove," "Acme Forgetting Service," and one of my all-time favorites, "Why Am I Painting the Living Room?"
Once briefly married to each other, the Berrymans have been writing and performing together for decades. Lou, who plays accordion, writes the music; Peter, on guitar, the lyrics.
Brilliantly original, deep, and clever views of our lives and times; usually funny, often satirical/political, sometimes touching, full of insight--their songs are like no one else's.
On May 11, says their newsletter, they'll be back home at:
Madison, WI Olin Park Pavilion, Free Concert sponsored by Friends of Olin-Turville Park tables & chairs provided; bring a picnic! 6 - 8 PM Rain or shine (or snow?)
Eighteen of their albums are available for download on their website, and they usually offer a free song or two as well:
Their Big Songbook is currently sold out, but they're updating it. I can't wait! And I can't wait for a chance to see their music-in-progress, More Later.
Wednesday, January 27, 2016
The Talking Band just seems to keep getting better and better. Each year, I end up saying their latest show may be their best yet--but, remembering Delicious Rivers (2006), The Walk Across America for Mother Earth (2011), and Marcellus Shale (2013), among others, I should qualify that as "one of their best."
Martin Luther King weekend through the first weekend in February seems to be one of the Talking Band's favorite times to bring us their latest. This year, it's Burnished by Grief, which despite its name, is, as billed, a romantic comedy, albeit with some dark and scary passages amid the whimsy, romance, and slapstick.
Like last year's Golden Toad--the three-hour ambulatory wonder that the company gave us for their fortieth anniversary--it's a great show about New York City, deeply rooted in real life. But in contrast to the Toad, Burnished by Grief whizzes by in 85 minutes, on a single set--a minimalist backyard garden overlooked by windows from adjacent buildings, and exercise bicycles within shouting distance of a street corner where a musician plays tuba.
It's inspired by playwright Ellen Maddow's experiences as a mediator in Brooklyn Civil Court, and as always in a Talking Band show, a few lovely, quirky songs and other music (also written by Maddow) add emotional resonance.
Though I try to see everything the Talking Band does, because of their limited seasons in New York, I sometimes miss a show. I'm so glad I didn't miss this one.
Burnished by Grief is playing at LaMama, 74 East 4th Street, through February 7.
For information go to: